DSP Shows presents An Evening with George Winston at Asbury Hall at Babeville on Wednesday, March 13, 2019
Tickets: On Sale Fri 12/14 10am $35 advance, $40 day of show General Admission Seating at Ticketfly.com, Babeville Box Office (M-F 11a-5p), or charge by phone at 877.987.6487
Please join us in support of Food Bank of WNY by bringing a donation of canned food to the concert. There will be collection baskets at the entrances.
George Winston grew up mainly in Montana, and also spent his later formative years in Mississippi and Florida. During this time, his favorite music was instrumental rock and instrumental R&B, including Floyd Cramer, the Ventures, Booker T & The MG’s, Jimmy Smith, and many more. Inspired by R&B, jazz, Blues and rock (especially the Doors), George began playing organ in 1967.
In 1971 he switched to the acoustic piano after hearing recordings from the 1920s and the 1930s by the legendary stride pianists Thomas “Fats” Waller and the late Teddy Wilson. In addition to working on stride piano, he also at this time came up with his own style of melodic instrumental music on solo piano, called folk piano.
George is presently concentrating mainly on live performances, and most of the time he is touring playing solo piano concerts (the Summer Show or the Winter Show), solo guitar concerts, solo harmonica concerts, and solo piano dances (with R&B and slow dance songs).
The Music Industry Alliance was created to connect those in and around the music industry in WNY to educate, collaborate, and strengthen our creative community. If you’re curious, why not come to our informational session to find out what it’s all about!
Everyone is invited…musicians, songwriters, students, hobbyists, sound engineers, venue owners, suppliers, educators, and fans…anyone with a connection to the music industry in WNY.
Big Martha: An Allman Brothers Band Experience returns to Tralf Music Hall for another edition of Thursday Night Howlin’ At The Tralf! Don’t miss the elite tribute to the Allman Brothers Band, featuring a cast of some of WNY’s best and brightest young musicians of tomorrow.
TIXS: 716.852.2860/ Tralf Box/ Tralf.com OR Terrapin Station
Get your tickets before they sell out!
Doors: 6pm Show: 7pm 2 Sets Pre-Sale: $15 Day of Show: $18
Big Martha is … Grace Lougen – electric guitar Sean McNamara – electric guitar/vocals Donny Frauenhofer – keyboards/vocals Cody Barcroft – electric bass Jon Fohl – drumset/vocals #RyanCampbell – drumset/percussion
Ah Ha! You found our Twisted Tea Party, good for you. Here is an exclusive girls night out with lots to do!
Come and enjoy a Girls Only Event. There will be activities and adult fun for everyone so don’t dred, You must be 21+ or its off with your head! It’s a Girls Only night, so have no fear, Get as crazy as you like, we’re all mad here!
The event will feature vendors, DJ & dancing, twisted teas & treats, DIY crafts, henna art, riddles, giveaways and a beautifully decorated venue with a whimsical area for photos. Feel free to add your Social Media and let our paparazzi take care of the rest.
*Follow our social media for more updates & info on how to win prizes & free drinks! instagram : @girlsonlyevents facebook : @ GIRLS ONLY Events
GIRLS ONLY Events are exclusively for ladies (21+) who love to go out with their friends, get dressed and do fun things. Most nights here in Buffalo, going out can easily become a complete fail. For the ladies that’s sick of ending up in overly crowed night clubs and bars where guys are just aggressively tugging your arm for attention, G.O Events are here for you! Our events are designed for a variety of girls from different stages in life, who’s interested in having fun but can never agree on one place to go. We encourage you come as a group or you can simply treat yourself to a fun night out & meet new friends.
All “Girls Only Events” will capture the night life vibe such as bartending, DJ spinning & dancing but will also focus on different themed activities. There will be DIY crafts, shopping vendors, mobile photographers, live photo-shoot with a beautiful backdrop for girls & friends and prizes / give-a-ways! Trust me ladies those cute outfits, slayed hair & makeup will not go unseen.
This is a Girls Only Event, but C’MON! We will have our “G.O GUYS” serving drinks & hors d’oeuvres as the attention & eye candy for the night!
Friday, March 15, 7pm doors/8pm show $15 advance/$18 day of show
18+ (no ID, no entry)
All Them Witches
By most fifth LPs, the band’s sound is pretty set. Parameters established. Refinement dissipated. You get a to-formula execution of what’s worked in the past. Fair enough. All Them Witches go a harder route.
In 2017, the Nashville four-piece offered what might’ve otherwise become their own template in their fourth album (second for New West), Sleeping Through the War. It brought a larger production value thanks to oversight from producer Dave Cobb (Jason Isbell, Shooter Jennings, etc.), found them using choral vocals, expanded arrangements, bigger sounds than anything they’d done before.
They could’ve easily fallen into a pattern of watered-down clones of that record. Easily.
So naturally in a year they’ve thrown it all to the Appalachian wind, turned the process completely on its head and gone the other way: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Self-produced. Take that, expectation.
The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have recorded and another redefinition of who they are as a band. Introducing keyboardist/percussionist Jonathan Draper to the fold with McLeod, bassist/vocalist Charles Michael Parks, Jr., and drummer/graphic artist Robby Staebler, All Them Witches’ ATW isn’t self-titled by mistake.
It’s the band confirming and continuing to develop their approach, in the devil’s boogie of “Fishbelly 86 Onions,” the organ-laced groove and masterful flow of “Half-Tongue,” the build of “HJTC” and the fluid jam in closer “Rob’s Dream.” You can hear it in the mellow patience of that last track, never lost but always wandering, and in “1st vs. 2nd,” where they turn from a frenetic shake to some purposefully metal-ish riffing while still holding onto gut-tightening tension.
And what do they do with that? Some overblown payoff? Hell no. They cut it short, drift into noise and then dig into “Half-Tongue” ahead of the moodier “Diamond,” which, true to its name, seems to turn any light that touches it into a prism. This is a band who delight in the exploration, in finding new rules to break, and in continually learning new ways to do so.
ATW is a reaction to being a “bigger” act. To playing bigger shows, bigger tours, etc. From the sustained consonants in Parks’ vocals, to the sleek basslines that play off the can’t-sit-still-won’t-sit-still swing in Staebler’s drums, to McLeod’s commanding slide in “Workhorse” and drifting melancholy at the outset of “Harvest Feast,” ATW is their laying claim to the essential facets of their identity.
And most crucial to that identity is its shifting nature. All Them Witches didn’t get to this point by resting on laurels, and if anything, the urgency of these tracks – fast pushers and sleepy jams alike – is among their greatest strengths.
It’s a rawer delivery, as stage-ready as the band itself, and it captures All Them Witches in this moment. Is ATW who they’ll be tomorrow? Who the hell knows? Check back in and we’ll find out together. That’s the whole idea.
After forming in Buffalo in 2006, Aqueous (pronounced “ay-kwee-us”) has earned a reputation as one of the most promising improvisational rock acts in the country. Best known for their “groove rock” stylings, guitarist Mike Gantzer, guitarist/keyboardist David Loss, bassist Evan McPhaden, and drummer Rob Houk have developed a unique sound characterized by meticulous compositions and rich exploratory jams that easily transition from laidback, in-the-pocket grooves to furious, high-intensity peaks. Composed of longtime friends, over the years, Aqueous’ members have developed near-psychic abilities with one another, enabling them to stretch each song while maintaining a staggering degree of precision. In a live setting, the group’s undeniable technical prowess truly shines, making for dynamic performances that bring fans back night after night.
Whether they’re headlining and selling out venues across the U.S. or performing stand-out sets at notable events like Summer Camp, The Peach Music Festival, Jam Cruise, and Suwannee Hulaween, it’s clear that fans across the country are clamoring to hear more from the Buffalo-based four-piece. With the hype around the group growing, Aqueous is making a huge breakout as the project enters its second decade of existence. Do yourself a favor, and discover firsthand what the buzz is all about.