Buffalo Music and Events Calendar

Curtis Lovell / Arrow Fitzgibbon / Artemisia X
Mar 11 @ 6:09 pm – 6:09 pm

Sunday, March 10th. 8pm. MORE INFO TBD

Curtis Lovell


Arrow Fitzgibbon- Building eccentric but sturdy structures like a backwards bulldozer. Taking requests of what found objects to use and writing epic masterpieces on the spot.

Artemisia X

Artemisia X is a songwriter/guitarist/singer who plays “world blues” as a one-woman band. Stomp pedal on the left, tambourine at her right foot, and a strumming action on guitar that fills any size room. She began writing in a style she called “gothic blues’ and toured Tennessee, Georgia, and the Carolinas. New York and Pennsylvania. She also sang jazz in Northern California, New Orleans and Paris before focusing solely on her own style. After living in Europe for the last three years (Rome, Athens, Paris and Malaga) she added flamenco and arabic music to the mix as well as honoring other musical styles from past roots and present influences. She now spends half her year in the US, based in Western New York and is becoming active on the live music scene.


Little cake/The Saplings/Lavender
Mar 11 @ 6:09 pm – 6:09 pm

3 bands will play
Floral Jazz.
“Best Smelling band this side of the MIssissippi.”
-Rolling Stones Magazine
The Saplings:
“Concocted at the Sound Laboratory that is the Eastman School of Music,
The Saplings’ big band mashes up oddball indie songwriting with soul, jazz, funk, and pop. Come for the rousing horn section, stay for the gorgeous vocal harmonies. It’s almost too much raw talent to take in one sitting. With youthful energy and charisma for days, The Saplings are about to become your new favorite band.” – Rochester City Newspaper
Little cake:
Local song-weaving Freakazoid with full band. You will receive a healthy dose of frantically absurd Love.


Lucy Dacus w/ Mal Blum & Fenne Lily @ The 9th Ward at Babeville
Mar 13 @ 6:10 pm – 6:10 pm

**SOLD OUT** Tuesday, March 12th

DSP Shows presents Lucy Dacus w/ Mal Blum & Fenne Lily in the 9th Ward at Babeville

Tickets: On sale Friday, December 14th at 10:00am. General Admission $15 in Advance, $18 Day of Show at Ticketfly.com, Babeville Box Office (M-F 11a-5p), or charge by phone at 877.987.6487

7:00pm Doors 8:00pm Show

Lucy Dacus

Lucy Dacus is done thinking small. Two years after her 2016 debut, No Burden, won her unanimous acclaim as one of rock’s most promising new voices, Dacus returns on March 2 with Historian, a remarkably assured 10-track statement of intent. It finds her unafraid to take on the big questions — the life-or-death reckonings, and the ones that just feel that way. It’s a record full of bracing realizations, tearful declarations and moments of hard-won peace, expressed in lyrics that feel destined for countless yearbook quotes and first tattoos.

“This is the album I needed to make,” says Dacus, who views Historian as her definitive statement as a songwriter and musician. “Everything after this is a bonus.”

She emphasizes that she does not take her newfound platform as a touring musician for granted. “I have this job where I get to talk to people I don’t know every night,” she remembers thinking on the long van rides across America to support No Burden. Realizing that she would have a dramatically expanded audience for her second album, she felt an urgent call to make something worthwhile: “The next record should be the thing that’s most important to say.”

The past year, with its electoral disasters and other assorted heartbreaks, has been a rough one for many of us, Dacus included. She found solace in crafting a thoughtful narrative arc for Historian, writing a concept album about cautious optimism in the face of adversity, with thematic links between songs that reveal themselves on repeat listens. “It starts out dark and ends hopeful, but it gets darker in between; it goes to the deepest, darkest, place and then breaks,” she explains. “What I’m trying to say throughout the album is that hope survives, even in the face of the worst stuff.”

Dacus and her band recorded the album in Nashville last March, re-teaming with No Burden producer Collin Pastore, and mixed it a few months later with A-list studio wizard John Congleton. The sound they created, with substantial input from multi-instrumentalist and live guitarist Jacob Blizard, is far richer and fuller than the debut — an outward flowering of dynamic, living, breathing rock and roll. Dacus’ remarkable sense of melody and composition are the driving force throughout, giving Historian the immersive feel of an album made by an artist in full command of her powers.

The album opens with a striking three-track run. First comes “Night Shift,” the only breakup song Dacus has ever written: “In five years I hope the songs feel like covers, dedicated to new lovers,” she memorably declares. Next is the catchy, upbeat first single “Addictions,” inspired in part by the dislocated feeling of life on the road and the lure of familiarity (“I’m just calling cause I’m used to it/And you’ll pick up cause you’re not a quitter…”), followed by “The Shell,” a reflection on (and embrace of) creative burnout. There’s nothing tentative about this opening sequence. Right away, it’s clear that Dacus is on a new level of truth-telling and melodic grace.

Another key highlight is track five, “Yours & Mine” — “the centerpiece where the whole album hinges in on itself,” Dacus says. Using a call-and-response format, she wrestles with the question of how best to participate in a community broken by injustice and fear while staying true to what one believes is right. “It’s about realizing your power as a person, and deciding to do the less safe but ultimately more powerful move, which is to move physically forward — show up and march — and move forward politically,” says Dacus, who began writing the song during the 2015 Baltimore Uprising against systemic racism.

Historian closes with two stunning songs: “Pillar of Truth,” a heartfelt tribute to Dacus’ late grandmother, and “Historians,” which sums up the album’s complex lessons about loss. “From the first song to ‘Pillar of Truth,’ the message is: You can’t avoid these things, so accept them. There’s ways to go about it with grace and gratefulness,” she says. “Then ‘Historians’ says that even if you can say that, there’s still fear, and loss is terrifying. You still love things, so it’s going to hurt. But dark isn’t bad. It’s good to know that.”

Fenne Lily
Not many artists can count up a massive 50 million+ streams off the back of a debut album written
in their teens, but then again, not many young artists are Fenne Lily . Raised in the wilds of rural
Dorset, UK to punk and Queen-loving parents, the 20-year-old talent first picked up the guitar
aged 15, and quickly found she was a natural. “Growing up in the countryside was amazing,” she
explains. “I had so much space, and loads of time with no distractions – that’s why I learnt an
instrument, because I didn’t have anything else to do!”
Just one year later and she’d written the delicate but powerful ‘Top To Toe ’, which deftly tackled
social anxiety over softly picked guitar; a song about bleak adolescence that almost everyone
could relate to. Self-released, it saw the young unknown attract global attention for her sublime
songwriting ability and sharp emotional intelligence, as well as her gifted way with melody. British
fashion house Burberry came knocking on her door and asked her perform for them in Paris,
thanks to the song’s subtle channeling of Laura Marling, as well as the swooning sound of Angel
Olsen, Sharon Van Etten and underground 1960s psychedelic greats like Linda Perhacs.
Fenne’s sound was elegant, addictive and blowing up the hype machine.

Mal Blum

“The thing about Mal’s songs is that they will rip your heart out of your fucking chest but also will make you laugh at the same time”

Chris Gethard – The Chris Gethard Show

“Spending Friday night alone/I’m reading Campus frat boy porn/strewn on the table/for my roommate/when he finally gets home”

And so opens the first track on Mal Blum’s new LP You Look a Lot Like Me out on Don Giovanni Records October 2nd. In many ways, the scene is immediately set for the record that follows: one that that vastly explores themes of struggle and loneliness through a lens of self-effacing humor. Though perhaps an odd choice for the opening line off most bands’ label debut, this immediate leap into first person narrative is unsurprising in this case.

Marissa Paternoster (guitarist/singer of Screaming Females) produced the album, going through sixteen songs Mal had written and paring them down to ten that made the final cut.

This collaborative effort resulted in a stripped-down, punk-influenced, indie rock record—a tighter, plugged-in, and less scrappy version of Mal’s work, emphasized by big guitar hooks, crunchy distortion, and that signature vocal flare and lyrical ingenuity Mal Blum has always showcased.


A Conversation With and About Women!
Mar 13 @ 6:10 pm – 6:10 pm

The women ( and their friends and supporters) of Buffalo and Erie County are invited to participate in a forum to address disparities in women on corporate boards, executive levels of employment, salary disparity and being represented in elected offices, especially on the Buffalo Common Council!

The forum will begin promptly at 5:30 PM and women will be given opportunites to voice their concerns and to do an analysis of the March 10th’s Women’s History Month rally that will have taken place at 3 PM, on that date, in Niagara Square.

Female candidates running in the June 25, 2019 Democratic Primary are encouraged to attend and voice their concerns on community issues. No debate or political speeches will be allowed.

For more information, please contact Betty Jean Grant, Founder: We Are Women Warriors or Vicki Ross, Executive Director: Western New York Peace Center.


The Incomparable Alyn Syms in Concert at The Aurora Theatre
Mar 13 @ 6:10 pm – 6:10 pm

Buffalo Music Hall of Fame Member, Alyn Syms has displayed his electrifying guitar talents to audiences across America, playing with Rick James’ Stone City Band and as the leader of his own Alyn Syms Group (ASG).
Today Alyn is composing and performing a new style of music praised by Philharmonic Conductor JoAnn Falletta as,”Lush orchestrations and inspirational melodies that are beautiful and totally captivating. Music of great imagination and color, brilliantly performed by Alyn.”
Don’t miss this exceptional night of music, from inspirational to rock and roll, as Alyn and his band of a keyboard and 11 guitars play music that will touch your heart and rock your soul.

Opening for Alyn will be folk indie artist, Holly K, who recently released her newest CD, “Flew to the Moon.”


To purchase tickets go to:


Hot Mulligan with Belmont – May 29 at Mohawk Place
Mar 14 @ 5:33 pm – 5:33 pm

6:00PM Doors | $15 adv | 16+ with ID

Wednesday, May 29th
After Dark Presents
Hot Mulligan
with special guests
fredo disco
Kayak Jones
Future Teens

TICKETS & INFO | aftr.dk/2RJkhss

Tickets are available without online fees at After Dark (630 Elmwood Ave. | 716.893.2900) | Mon-Fri 10:30a–5:30p).

More Shows – www.afterdarkpresents.com
Twitter – www.twitter.com/afterdarkevents
Facebook – www.facebook.com/AfterDarkPresents
Instagram – @afterdarkpresents


An Evening with George Winston at Asbury Hall at Babeville
Mar 14 @ 6:09 pm – 6:09 pm

DSP Shows presents An Evening with George Winston at Asbury Hall at Babeville on Wednesday, March 13, 2019

Tickets: On Sale Fri 12/14 10am $35 advance, $40 day of show General Admission Seating at Ticketfly.com, Babeville Box Office (M-F 11a-5p), or charge by phone at 877.987.6487

Please join us in support of Food Bank of WNY by bringing a donation of canned food to the concert. There will be collection baskets at the entrances.

George Winston grew up mainly in Montana, and also spent his later formative years in Mississippi and Florida. During this time, his favorite music was instrumental rock and instrumental R&B, including Floyd Cramer, the Ventures, Booker T & The MG’s, Jimmy Smith, and many more. Inspired by R&B, jazz, Blues and rock (especially the Doors), George began playing organ in 1967.

In 1971 he switched to the acoustic piano after hearing recordings from the 1920s and the 1930s by the legendary stride pianists Thomas “Fats” Waller and the late Teddy Wilson. In addition to working on stride piano, he also at this time came up with his own style of melodic instrumental music on solo piano, called folk piano.

George is presently concentrating mainly on live performances, and most of the time he is touring playing solo piano concerts (the Summer Show or the Winter Show), solo guitar concerts, solo harmonica concerts, and solo piano dances (with R&B and slow dance songs).

Find out more at GeorgeWinston.com


Alliance Kick-Off
Mar 14 @ 6:09 pm – 6:09 pm

The Music Industry Alliance was created to connect those in and around the music industry in WNY to educate, collaborate, and strengthen our creative community. If you’re curious, why not come to our informational session to find out what it’s all about!

Everyone is invited…musicians, songwriters, students, hobbyists, sound engineers, venue owners, suppliers, educators, and fans…anyone with a connection to the music industry in WNY.


Buffalo Dead All Stars March Mayhem
Mar 14 @ 6:09 pm – 6:09 pm

Tony and Dennis are back by popular demand


Tension / GOA / The Molice
Mar 15 @ 6:09 pm – 6:09 pm

Thursday, March 14th. 8pm. MORE INFO TBD


Gentlemen of Age – GOA

The Molice